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				|  | Symphony No. 2 
		Sketch, first movement – S1.2     A-Wst  
				MHc-14683 
		     
		
		Symphony No. 2 
		– Manuscript sources  
		
		
		Symphony No. 2 – Main page  
		Catalogue Homepage       
			
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				1 | 
				The first bar numbers refers to Totenfeier 
				(as published in
				
				SWSupp1), and the second to those of the corresponding 
				passage in the final version of the first movement of the 
				Symphony (NKGII.1). |  |  
				| 
				
				2 | 
				If this figure is a bar number, it relates to 
				a rather shorter conception of the first movement. |  |  
				| 
				
				3 | 
				The bar numbers in Totenfeier and the 
				final version correspond in this passage. |   |   
		  
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				| Title
 |  
				|  | None |  
				| Date |  
				|  | [1888] |  
				| Calligraphy |  
				|  | Staves 1–2: ink; staves 4–9: 
				pencil |  
				| Paper |  
				|  | 12 staves, no maker's 
				mark, no watermark, upright format, 331 x 238 
				(r=274) |  
				| Manuscript structure and collation |  
				|  | 1 fol.: |  
				|  | 
					
						
							| 
							1r1–2 | bb. 
							447–52/421–6,¹  
							with the autograph ink heading
							300² |  
							| 1r3 | blank |  
							| 1r4–9 | bb. 
							97–114,³ preceded by an early version of bb. 89–96 |  
							| 1r10–12   | blank |  
							| 1v | blank |  |  
				| Provenance |  
				|  | Purchased from Hans Moldenhauer in 
				1980 |  
				| Facsimiles |  
				|  | Online colour facsimile |  
				| Select Bibliography |  
				|  | SHMMT,
				passim, including a transcription: II, 21;
				
				MHPS, 615 |  
				| Notes |  
				|  | 
				The small tears around the edges of the leaf have been 
				stabilised and supported by the application of glued-on 
				strips on the verso. There are two pencil 
				annotations, probably by Hans Moldenhauer: 
					
						
							| 
							1r, bottom l.h. margin |  
							2nd Symph - I coda |  
							| 
							1v, on the top paste-over support    |  
							MAHLER. Sketches for Coda 
				of 1st Movement of  2nd Symphony |  
				The provenance information was kindly provided by Thomas Aigner
				(A-Wst). |  
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