Title
|
|
Des Knaben
Wunderhorn / Gesänge für eine Singstimme mit Orchesterbegleitung |
Date |
|
1888? - 189? |
Contents |
|
Transposed versions of the songs were not
published; the voice ranges use
Helmholtz notation and show pitches for which Mahler
provides an ossia in parentheses; the timings are derived
from
PFMD2. |
|
1. |
Der Schildwache Nachtlied |
a–f" |
[4:45–6:58] |
|
2. |
Verlorne Müh'! (Schwäbisch) |
c'–g''(g'') |
[2:09–3:20] |
|
3. |
Trost im Unglück |
(a)c'–f'' |
[2:03–3:19] |
|
4. |
Wer hat dies Liedlein erdacht?! |
c'–g''(a'') |
[1:47–2:52] |
|
5. |
Das irdische Leben (tiefe Stimme) |
b–g'' |
[2:20–3:40] |
|
6. |
Des Antonius von Padua Fischpredigt |
(g)b–e'' |
[3:28–4:48] |
|
7. |
Rheinlegendchen |
(b)c'–f''(g'') |
[2:37–3:45] |
|
8. |
Lied des Verfolgten im Thurme |
(g)b–g'' |
[3:33–5:35] |
|
9. |
Wo die schönen Trompeten blasen |
(a)c–g'' |
[5:10–9:10] |
|
10. |
Lob des hohen Verstands |
a–b'' |
[2:07–3:49] |
|
11. |
„Es sungen drei Engel einen süssen Gesang‟ (Frauenchor
aus der 3. Symphonie.) Für eine Stimme bearbeitet |
a–a'' |
[5:50–8:05] |
|
12. |
Urlicht. (Alt Solo aus der 2. Symphonie) |
d'–e'' |
[4:29–7:00] |
Texts |
|
Links to relevant editions |
|
Scoring |
|
Voice and piano or voice and orchestra.
Mahler never prepared a version of no. 11 for solo voice and
orchestra; the orchestral versions
of the other songs in the collection differ from one another in instrumentation: |
|
1. |
Der Schildwache Nachtlied |
|
|
|
|
Picc, fl 1–2,
ob 1–2, cl 1–2 in B, bsn
1–2 |
|
|
Hn 1–4
in F, tpt
1–2 in F |
|
|
Timp 1–2, tr, sd, bd with cym (1 player) |
|
|
Harp |
|
|
Strings |
|
|
|
|
2. |
Verlorne Müh'! |
|
|
|
|
Fl 1–2 (=picc 1–2),
ob 1–2, cl 1–2 in A, bsn 1–2 |
|
|
Hn 1–2 in F |
|
|
Tr |
|
|
Strings |
|
|
|
|
3. |
Trost im Unglück |
|
|
|
|
Picc, fl 1–2,
ob 1–2, cl 1–2 in A, bsn 1–2 |
|
|
Hn 1–4
in F, tpt
1–2 in F |
|
|
Timp, tr, sd |
|
|
Strings |
|
|
|
|
4. |
Wer hat dies Liedlein erdacht?! |
|
|
|
|
Fl 1–2,
ob 1–2, cl 1–2 in B, bsn
1–2 |
|
|
Hn 1–2 in F |
|
|
Tr |
|
|
Strings |
|
|
|
|
5. |
Das irdische Leben |
|
|
|
|
Picc, fl 1–2,
ob 1–2, ca, cl 1–2 in B, bsn
1–2 |
|
|
Hn 1–3
in F, tpt
in F |
|
|
Cym |
|
|
Strings |
|
|
|
|
6. |
Des Antonius von Padua Fischpredigt |
|
|
|
|
Fl 1–2,
ob 1–2, cl 1 in B,
cl 2 in B/A, bsn
1–3 |
|
|
Hn 1–4 in F |
|
|
Timp 1–2, tr, rute, cym, tam-tam, bd |
|
|
Strings |
|
|
|
|
7. |
Rheinlegenchen |
|
|
|
|
Fl, ob, ca, cl in A, bsn |
|
|
Hn
in F, tpt |
|
|
Strings |
|
|
|
|
8. |
Lob des hohen Verstands |
|
|
|
|
Fl 1–2,
ob 1–2, cl in E, cl
1–2 in B, bsn
1–2 |
|
|
Hn 1–4 in F, tpt in B/F,
trb, tuba |
|
|
Timp, tr |
|
|
Strings |
|
|
|
|
9. |
Lied des
Verfolgten im Turm |
|
|
|
|
Fl 1–2,
ob 1–2, cl 1–2 in B, bsn
1–2 |
|
|
Hn 1–4 in F, tpt 1–2 in B |
|
|
Timp |
|
|
Strings |
|
|
|
|
10. |
Lied des
Verfolgten im Turm |
|
|
|
|
Fl 1–2,
ob 1–2, cl 1–2 in B |
|
|
Hn 1–4 in F, tpt 1–2 in F |
|
|
Strings |
|
|
|
|
12. |
Urlicht |
|
|
Picc 1–2 (=fl 1–2), ob 1–2 (2=ca), cl 1–2 in B, bsn
1–2 (2=cbsn) |
|
|
Hn 1–4
in F, tpt
1–2 in F |
|
|
Glocke |
|
|
Strings |
Duration |
|
For the duration ranges for individual songs
(derived from
PFMD2)
see the contents list above. In the absence of any timings of performances
during Mahler's lifetime, the following, taken from the
Orchesterwerke Haupkatalog 1937 (Vienna: Universal-Edition,
May 1937), p. 18, offer interesting points of comparison: |
|
1. |
6:00 |
2. |
4:00 |
3. |
4:00 |
4. |
1:30 |
5. |
3:00 |
6. |
4:00 |
7. |
3:00 |
8. |
4:30 |
9. |
7:00 |
10. |
3:30 |
11. |
5:00 |
12. |
5:30 |
|
|
|
|
|
|
|
|
|
|
|
|
|
Manuscripts |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Printed Editions (1895–1920) |
|
|
|
|
|
|
|
|
|
|
|
|
Performance history |
|
|
|
|
Chronology |
|
1892.01.28 |
The piano and voice draft of Der
Schildwache Nachtlied (AV2) completed |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Notes |
|
Titles The title of no. 4 is given at the head of
the autograph and the first edition of the orchestral score as
Wer hat dies Liedel erdacht?. The autograph and the first
edition of the voice and piano version, the printed wrapper of
both versions and the programmes of the first two performances
conducted by Mahler give the title adopted here.
Critical Edition
SWXIII/2b: Gustav Mahler, Fünfzehn
Lieder, Humoresken und Balladen aus Des Knaben Wunderhorn
für Singstimme und Klavier, Kritische Gesamtausgabe Band
XIII, Teilband 2b, vorgelegt von Renate Hilmar-Voit unter
Mitarbeit von Thomas Hampson (Vienna: Universal Edition, 1993)
[Nos 1–13]
SWXIV/2: Gustav Mahler, Des Knaben
Wunderhorn, Gesänge für eine Singstimme mit
Orchester-begeleitung, Sämtliche Werke,
Kritische Gesamtausgabe, Band XIV,
Teilband 2, ed. Renate Stark-Voit,
(Vienna: Universal Edition, 1998)
This edition also includes the 1892 version of Das himmlische
Leben |
Supplementary Material |
|
|