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Title
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[Heading on 1r, centre:]
Liebst du um Schönheit / [right:] Gustav Mahler |
Date |
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[1916] |
Calligraphy |
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Max Puttmann, black ink; with
pencil notes and casting off by Kahnt and/or Brandstetter staff
and some rubber-stamped publishing details on fol. 1r. |
Paper |
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9 staves, bracketed
for solo line and piano, [logo] B.& H. Nr. 9.A., oblong format,
watermark: crest and BREITKOPF & HÄRTEL,
355 x 271 (r = 202) |
Manuscript structure and collation |
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Folio |
Bars |
Notes |
1r |
1–17 |
bar 16 is deleted |
1v |
17–34 |
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2r |
Blank |
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2v |
Blank |
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Provenance |
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Supplied to C.F. Kahnt by Max Puttmann;
transferred to A-Wigmg (signature: N/Rü 2t/31) |
Facsimiles |
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None |
Select Bibliography |
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None |
Notes |
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Puttmann is identified as the arranger in
a pencil note on fol. 1r, and pencil instruction specifies
Pariser Format.¹ The vocal line is untexted, but Puttmann
indicates Texte nach Ausgabe a u. b. The plate number (7634)
has been added in pencil at the foot of the page, and
75489
is noted in the r.h. margin on fol. 1r: it is probably a
reference number connected with the engraving or printing of
this transposition. It might be noted that Puttmann's manuscript
of the low-voice transposition of the piano-vocal score (CV4t) of
„Ich atmet'
einen linden Duft‟ (plate number 7633) bears
the number 75488: both arrangements were presumably
prepared in late 1916. At some point
in its history the manuscript has been folded in half along a
vertical axis. |
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