A Cartoon of Mahler

 

 

Symphony No. 1

Annotated copyist's score – ACF2

 

US-NYp Bruno Walter Collection, JOB 85-2

 

Fascicle structure

First movement

Second movement – Blumine

Third movement – Scherzo

Fourth movement

Fifth movement

 

Back to ACF2 description

 

Symphony No. 1 – Manuscript sources

Symphony No. 1 – Main page

Catalogue Homepage

 
Complete colour facsimile: US-NHub
     

1

All folio numbers are editorial

  

2

All in ink except those marked [p]

 

3

The stubs of the discarded cognates to fol. 97, 98, and 99 are glued between 106v and 107r. The stub of the cognate to fol. 100 is tipped on to fol. 101.
The four discarded leaves, cognates to fol. 97–100 were replaced by four new leaves, fol. 103–106. Presumably folio 107 was added subsequently.

  

4

It is not clear why folio 107 was pasted onto fol. 106v, as it is not possible to see any text on fol. 106v and 107r.

  

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 
  Fol.¹ Page
Nos²		 Paper
Type		 Bar nos Notes
 

Five nested vertical brackets representing a gathering of five bifolios

77r 1 A   [Weidig:] No. 5 [overwrites an illegible number, presumably 4]
77v 2      
78r 3 A    
78v 4      
79r 5 A    
79v 6      
80r 7 A    
80v 8      
81r 9 A    
81v 10      
82r 11      
82v 12      
83r 13      
83v 14      
84r 15      
84v 16      
85r 17      
85v 18      
86r 19      
86v 20      

 

 

Five nested vertical brackets representing a gathering of five bifolios

87r 21 A   4-stave fragment tipped on at top of page = autograph revisions to ob 4, cl 4, hr 5–7
87v 22      
88r 23 A    
88v 24     Autograph: additional cl. 1 part added (neatly) on a spare stave.
89r 25 A    
89v 26      
90r 27 A    
90v 28      
91r 29 A    
91v 30      
92r 31      
92v 32      
93r 33      
93v 34      
94r 35      
94v 36      
95r 37      
95v 38      
96r 39      
96v 40      
 

a graphical image showing a fasicle of 11 folios; folios 97/107 form one bifolio; the conjugates of 98 and 99 have been removed; 100 is a sinle folio tipped onto 101; 101/102 form a bifolio; 103-106 are two nested bifolios, with 106 verso glued onto 107 recto.

97r 41 A 362–369  
97v 42   370–374  
98r 43 A 375–381  
98v 44   382–402  
99r 45 A 403–412  
99v 46   413–421  
100r 47 A 422–434 Tipped onto fol. 101³
100v 48   435–441  
101r 49 A 442–454  
101v 50   455–475  
102r 51   476–492  
102v 52   493–501  
103r 53 [p] A 502–526  
103v 54 [p]   527–550  
104r 55 [p] A 551–565  
104v 56 [p]   566–573  
105r 57 [p]   574–578  
105v 58 [p]   579–583  
106r 59 [p]   584–589  
106v       Not visible,⁴ pasted to 107r
107r   A   Not visible, pasted to 106v
107v 60   590–597  
 

Graphic: four nested vertical brackets indicate that four nested biolios form a single gathering/signature

 108r 61 A 598–604  
108v 62      
109r 63 A    
109v 64      
110r 65 A   Last two bars, string parts: autograph red ink on paste over
110v 66     First two bars, string parts: autograph red ink on paste over
111r 67 A    
111v 68      
112r 69      
112v 70      
113r 71      
113v 72      
114r 73      
114v 74      
115r 75      
115v 76     [Music ends]
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© 2007 Paul Banks | This page was lasted edited on 15 May 2020