| |
Fol.¹ |
Sig.
Nos.² |
Paper
Type |
Notes |
|
 |
71r |
1 [p] |
D |
The original black
ink title in top LH corner has been scratched out and is
illegible. Replaced by [brown ink:] Dall Inferno / al Paradiso!
// [centre:] Nro 5. Music begins.
Bifolio stitched and glued to fol. 73r |
| 71v |
|
|
|
| 72r |
|
|
|
| 72v |
|
|
|
 |
73r |
2 [i] |
D |
Bifolio not stitched, but glued to
fol. 75r |
| 73v |
|
|
|
| 74r |
|
|
|
| 74v |
|
|
|
 |
75r |
3 [i] |
|
Bifolio not stitched, but glued to
fol. 77r |
| 75v |
|
|
|
| 76r |
|
|
|
| 76v |
|
|
|
 |
77r |
4 [i] |
D |
Bifolio stitched and glued to fol.
81r |
| 77v |
|
|
[Marked at end of current b. 100, Weidig, pencil:] (100) |
| 78r |
|
D |
Bifolio loose: never apparently
stitched or glued |
| 78v |
|
|
|
| 79r |
5 [i] [!] |
|
|
| 79v |
|
|
|
| 80r |
|
|
|
| 80v |
|
|
Pencil annotation by F[elix]
D[raeseke] |
 |
81r |
6 [i] |
D |
Pencil annotation by F[elix]
D[raeseke] |
| 81v |
|
|
|
| 82r |
|
|
|
| 82v |
|
|
[Marked at end of current b. 199,³ Weidig, pencil:] (200) |
 |
83r |
7 [i] |
D |
Bifolio stitched and glued to fol.
85r |
| 83v |
|
|
|
| 84r |
|
|
|
| 84v |
|
|
|
 |
85r |
8 [p] |
D |
Bifolio not stitched, but glued to
fol. 77r |
| 85v |
|
|
|
| 86r |
|
|
|
| 86v |
|
|
|
 |
87r |
9 [p] |
D |
Bifolio not stitched |
| 87v |
|
|
[Marked at end of current b. 299,³ Weidig, pencil:] (300) |
| 88r |
|
|
|
| 88v |
|
|
|
 |
89r |
10 [p] |
A |
Fol. 89r-92v
evidently replaced the original leaves sometime after Weidig had marked
in his pencil bar count; the ductus on these replacement folios
differs from that of the surrounding leaves. Bifolio stitched and glued to fol.
91r |
| 89v |
|
|
|
| 90r |
|
|
|
| 90v |
|
|
|
 |
91r |
11 [p] |
A |
Bifolio not stitched, but glued to
fol. 93r |
| 91v |
|
|
|
| 92r |
|
|
|
| 92v |
|
|
The collette over the bottom system
corrected a copying error (a missing bar), and also crams in an
additional 3 bars (compared with the original layer) this
avoiding the need to insert an additional leaf to effect the
join between the interpolated leaves and the next original folio
(93). |
 |
93r |
12 [i] |
D |
[Marked at end of current b. 408,⁴
Weidig, pencil:] (400)
Bifolio not stitched |
| 93v |
|
|
|
| 94r |
|
|
|
| 94v |
|
|
|
 |
95r |
13 [i] |
D |
Bifolio stitched and glued to fol.
97r |
| 95v |
|
|
|
| 96r |
|
|
|
| 96v |
|
|
|
 |
97r |
14a [i] |
D |
The 'a' is in pencil. Last system deleted in pencil
then blue crayon.
[Marked at end of current b. 508,⁴ Weidig, pencil:] (500)
Bifolio not
stitched, but glued to fol. 99r |
| 97v |
|
|
Last bar markedf vi– and
deleted; whole page deleted in blue crayon |
| 98r |
|
|
Page deleted in pencil and blue
crayon |
| 98v |
|
|
Pencil deletion ends in 4th bar
(with revisions in brass to effect cut); whole page deleted in
blue crayon |
 |
99r |
14b [p] |
B |
A rather brown ink 99r–102r
Bifolio not stitched |
| 99v |
|
|
|
| 100r |
|
|
|
| 100v |
|
|
|
 |
101r |
15 [p] |
B |
Bifolio stitched and glued to fol.
103r; Mahler used it upside-down and back-to-front |
| 101v |
|
|
|
| 102r |
|
|
The Einlage ends here |
| 102v |
|
|
Blank |
|
 |
103r |
16 [p] |
D |
First six bars deleted in pencil
and blue crayon. NB: 98v does not connect with 103r:
at least one bifolio removed, presumably containing Bifolio not stitched, but glued
to fol. 105r |
| 103v |
|
|
|
| 104r |
|
|
|
| 104v |
|
|
[Marked at end of current b. 608,⁵
Weidig, pencil:] (600) |
 |
105r |
17 [p] |
D |
Bifolio not stitched |
| 105v |
|
|
|
| 106r |
|
|
|
| 106v |
|
|
|
 |
107r |
18 [p] |
D |
Bifolio stitched and glued to fol.
109r |
| 107v |
|
|
|
| 108r |
|
|
|
| 108v |
|
|
|
 |
109r |
19 [p] |
D |
Bifolio not stitched, but glued to
fol. 111r |
| 109v |
|
|
|
| 110r |
|
|
|
| 110v |
|
|
[Marked at end of current b. 708,⁵
Weidig, pencil:] (700) |
 |
111r |
20 |
D |
|
| 111v |
|
|
Music ends. [at end, bar 731 in
final version,⁶ Weidig,
pencil:]; (727) ; [below bottom stave, Mahler,
ink:] umgearbeitet 19 Jannuar 1893 / [word or words
partially scratched out - illegible] |
| 112r |
|
|
Blank |
| 112v |
|
|
Blank |