Unknown

Normally such a copy would prepared from the autograph piano-vocal score and then revised and corrected by Mahler before being sent to the publisher for use as the printer's copy for engraving. However, Renate Hilmar-Voit is of the opinion that the extent of the corrections that were needed at the proof stage indicates that whatever type of manuscript it was (autograph or copyist's manuscript),  the printer's copy must have represented a less finished state than had been the case with the sources from which the earlier Wunderhorn settings published by EWZG/Weinberger had been prepared (see NKGXIII/2b, 186). In light of this it seems possible that no copyist's manuscript of Revelge was prepared, and that an earlier autograph manuscript (e.g. [AV1]) was used, that did not reflect changes made during the preparation of the autograph full score.