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Title
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None |
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Date |
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MW [Maiernigg am Wörthersee?] 16. Aug 1901. |
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Calligraphy |
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Ink, pencil; non-autograph
pencil annotations on 1r: C1; and 1v: C2 |
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Paper |
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20 staves, J.E. & Cọ
/
No. 12ª / 20 linig.,
oblong format, watermark not recorded, 264 x 344 (r=223½) |
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Manuscript structure and collation |
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1 folio:¹ |
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1r1–3 |
thirteen bars = bb. 1–13 |
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1r5–7 |
fourteen bars ≈ bb. 14–22 |
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1r9–11 |
fourteen bars ≈ bb. 23–30 |
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1r13–15 |
fourteen bars ≈ bb. 30–7 |
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1r17–19 |
twelve bars ≈ bb. 37–45 |
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1v1–3 |
nine bars ≈ bb. 46–53 |
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1v5–7 |
twelve bars ≈ bb. 54–63 |
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1v9–11 |
four bars = bb. 64–67; to right,
pencil: sketch for revision of b. 49 |
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Provenance |
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This sketch may
have been one of those mentioned by Bauer-Lechner in connection
with the summer of 1901 (NBL2,
195):
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Als Zeichen unseren besten
Übereinstimmung in dieser Ferien schenkte er mir die
Skizzen aller seiner heurigem Lieder. |
As a token of
our best rapport during this holiday he gave me the
sketches of all his recent songs.² |
However, neither it nor a separate sketch leaf (S5h)
were listed in either of the two
inventories of her collection of Mahler manuscripts prepared
after her death in 1921.³
The manuscript was purchased in c. 1947–9 from International Autographs (New
York) by Mary Flagler Cary (1901–1967); donated in 1968 to the
Morgan Library and Museum by the trustees of the
Mary Flagler Cary Charitable Trust. |
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Facsimiles |
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Online colour facsimile;
GMIBW, 82 |
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Select Bibliography |
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MFCMC,
p. 32;
GMIBW;
SHCoI;
SHGoI;
SWXIII/4,
Sk (dritte Skizze), p. xv;
SWXIV/4,
Sk (dritte Skizze), p. xv |
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Notes |
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The rhythmic layout is still frequently in
note-values double those of the final version. This draft has
one indication of pedalling (1r17–19,
b. 10 (= b. 43 in final version)). |
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