A Cartoon of Mahler

 

  Sieben Lieder, No. 3

„Blicke mir nicht in die Lieder‟ – ACV3m

 

A-Wn L17.IGMG.27 Mus

 

Sieben Lieder – Manuscript sources

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Title

  [Mahler, blue pencil:] Nro 1 / [black ink:] Rückert / Blicke mir nicht in die Lieder [blue pencil:] Lieder
Date
  [c. 1–8 March 1905]

Calligraphy

  The music text is in the hand of the Viennese copyist Josef Strohs: black ink; with annotations by Gustav Mahler, and staff of C.F. Kahnt and Oscar Brandstetter in lead pencil

Paper

  12 staves, J.E.· N 10, upright format, ruled and braced for solo part and piano, no watermark, 347 x 265 (r = 276)

Manuscript structure and collation

 

3 fol.: 1 bifolio + 1 folio tipped onto fol. 2.

 
Graphic representing a bifolio with a single sheet tipped onto fol. 2v

 

Folio Bars
1r Title page
1v (1) 2–17
2r 18–37
2v 38–53
3r 54–66
3v Blank

Provenance

 

Supplied by Mahler to C.F. Kahnt; transferred to A-Wigmg as N/Rü 3m/31; placed on loan at A-Wn in 2007.

Facsimiles

  None located

Select Bibliography

  SWXIII/4, StV I, p. vii; SWXIV/4, StV I, p. vii; RKGMK, 163; online library catalogue record

Notes

 

Having met the director of C.F. Kahnt in Leipzig in November 1904, it was not until after he had conducted the very successful first performances of his new Wunderhorn and Rückert settings in Vienna in January 1905 that in late February/early March Mahler had copies prepared for perusal by Hoffmann (GMBsV, 161). This copyist's manuscript of the voice and piano version was presumably part of the consignment.

The first bar (lacking in SS3 and AV3) is supplied in the margin, but not in Mahler's hand, suggesting that it was a very late addition. On fol. 1r: an oval stamp: Musikalien-Verlag / C. F. Kahnt / Nachfolger / LEIPZIG; with 56870 added in blue pencil in an unidentified hand in the top right-hand corner. This manuscript served as the printer's copy for the first edition of the piano and voice version (PV3m1), and the plate number – 4467 – has been added in red pencil on fol. 1v. It is noticeable that the letterpress elements needed on the first page of the printed score are not entered in full: in later manuscripts of the songs prepared for the printer they are either wholly, or partially rubber stamped at the foot of the page. Here their presence is merely indicated by the annotations Verlag and Cop- [i.e. Copyright]: cf. ACV4m, ACF4m.

At some time this manuscript was folded in half, vertically.

   
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© 2007 Paul Banks | This page was lasted edited on 16 October 2021