|
Title |
|
[Top of 1r, pencil,
?Stefan Zweig:] Gustav Mahler Erster Entwurf zur Zweiten Symphonie
/ in eigener
Handschrift
[in centre of page, ink, autograph:] 1. Satz |
Date |
|
[January–July 1888] |
Calligraphy |
|
Ink |
Paper |
|
12 staves, no maker's
mark, upright format, no watermark, 332 x 254 (r: not
recorded)¹ |
Manuscript
structure and collation |
|
1 fol.:²
|
|
1r |
title |
1v1–2 |
6 bars,
deleted, leading to b. 427 |
1v3–4 |
bb.
428–34 |
1v6
|
bb.
435–41 |
1v7–8
|
bb.
442–45 |
1v9–12 |
blank |
|
Provenance |
|
Gift from Mahler to Natalie
Bauer-Lechner; passed from her heirs to V.A. Heck (autograph
dealer),³ and subsequently acquired (before 1930) by Stefan Zweig
who presented the manuscript to IL-J in February 1934⁴ (OMIK,
375, no. 894;
ASSZC,
65). |
Facsimiles |
|
1v:
OMIK, 376 |
Select
Bibliography |
|
SHMMT passim
including a transcription of 1v: II, 22;
ERDS, passim;
OMIK, 375, no. 894, (where the manuscript is erroneously described as
consisting of 12 pages (presumably referring to
OD1 by mistake) and its location is given as the Schwadron Autograph Collection).⁵ |
Notes |
|
According to an anecdote reported by Natalie Bauer-Lechner (NBL2,
50;
NBLE,
53), Mahler was working on the movement at the time of the
first performances of his completion of Weber's Die drei Pintos,
the première of which was on 20 January 1888. So, these sketches
were probably written between January and, at the very latest,
July 1888; the orchestral draft (OD1)
is dated 8 August 1888.
Reilly (1979) described this as a bifolio (it was subsequently
described as a single sheet by Hefling (1985)) and suggested it originally formed a wrapper for
OD1 (also at IL-J), although the latter is oblong (not upright) format paper. This manuscript has
not been examined, though the photocopy at A-Wigmg
(Ph 72) and the facsimile have been consulted. When in June 2008 Dr Avior Byron
kindly visited IL-J to confirm the manuscript
description, the manuscript could not be located. |
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