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Title |
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[1. Satz] |
Date |
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[at end:] 8.8.888. |
Calligraphy |
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Ink |
Paper |
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16 staves, no maker's
mark, oblong format, watermark not recorded, 253 x 329
(r=206), grey stave linesš |
Manuscript
structure and collation |
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12 fol. in 6 stacked bifolia,
numbered by Mahler 510 (the first four bifolios are
missing): see the notes below. |
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For details of make-up and
collation, use the hyperlink at the left of this page |
Provenance |
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Ex coll. Natalie Bauer-Lechner (Inv. I,
II; Inv.
II, 2);
passed from her heirs to V.A. Heck (autograph dealer), and
subsequently acquired by Stefan Zweig˛ who
presented the manuscript to IL-J in February 1934ł (OMIK,
375;
ASSZC,
65). |
Facsimiles |
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1r:
SHMMT,
II, 522 |
Select
Bibliography |
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SHMMT passim including a complete transcription in
short score: III, 3641;
ERDS, passim;
HLG1,
18183;
HLG1F, 1016;
OMIK,
375, no. 894 |
Notes |
|
Mahler appears to have worked on this draft while staying in or
near Iglau during the difficult summer of 1888, between his
resignation from Leipzig (17 April) and the start of his brief
engagement in Prague during the first couple of weeks of August
1888, where he was preparing and conducting Die drei Pintos,
and rehearsing Der Barbier von Bagdad.
This manuscript has not been examined, although the complete photocopy A-Wigmg
(Ph 72) has been consulted.⁴ When in June 2008 Dr Avior Byron
kindly visited IL-J to check the manuscript description
he reported that:
a) all the bifolios that were intact at the
time of Hefling's description (1985; see the
fascicle structure) had been separated into single sheets; b) bifolio '9' (i.e. fol. 9, 10) and fol. 12 could not be
located;
c) numerous pencil annotations
(identifying the contents of each page) have been added by a
member of the library staff.
Reilly suggests that
S1.1 (also at IL-J) originally formed a
wrapper for this draft score, although it is on upright (rather
than oblong) format paper. |
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