Die drei Pintos – Printed Editions

PRINTED FULL SCORES

Title Page: [Black on dark cream paper, lithographed from writing, type B:] Die Drei Pintos. / Komische Oper in drei Aufzügen / von / Carl Maria von Weber. / [rule] / Unter Zugrundlegung des gleichnamigen Textbuches von Th. Hell, der hinterlassenen / Entwürfe und angewählte Manuscripte des Componisten ausgeführt: / der dramatische Theil / von / Carl von Weber, / der musikalische Theil / von / Gustav Mahler. / [rule] / [swirl] / Dies Exemplar is nur bestimmt [blank] / [blank] / für [blank] / [blank] / Eigenthum von C.F. Kahnt Nachfolger (Oskar Schwalm) Leipzig. / 2953 / N° [blank]

Wrapper: as for title page , but black on blue/grey cover

Analysis: [1]=tp; [2]=Personen; 3–124=Act I, pl.no. 2953I; 1–16=Entr’Act, pl.no. 2953X; 1–78=Act II, pl.no. 2953II; 1–135=Act III, [136]=blank, pl.no. 2953III.

Dimensions: [bound volume, pages trimmed] 365 x 275 (r=240)

Printing method: Lithographic transfer from writing

Hofmeister: no entry

Edition number: none  Plate number: 2953I (Act I); 2953II (Act II); 2953III (Act III); 2953X (Entr'Act)

This printed score seems never to have been placed on sale, and was probably only available for hire by theatres: the title page/wrapper design provides spaces for details of the hire to be added by hand. Two copyists were used: copyist A: Act I, Entr’Act, Act III, pp. 34–59, 65–135; copyist B: Act II and the rest of Act III.

The D-B catalogue indicates that the copy there used to have a list of corrections; this was not present in 1998. The D-Mbs copy was part of the original performance material used at the the Königl. Hof- und National-Theater, Munich, for performances in 1888, and is numbered 'III': the cover and title page bear the information 'Dieses Exemplar ist nur bestimmt zur Benutzung bei den öffentlichen Aufführungen für das Kgl. Hofoperntheater in München'.  The score contains performance markings and revisions (reductions) to the orchestration, and an indication that the Entr'Act was omitted, at least in some performances.

A complete colour facsimile of the A-Wn copy is available on the library website.

PRINTED ORCHESTRAL PARTS

PO1

FIRST EDITION – [Leipzig: C.F. Kahnt Nachforlger, 1888]

Make-up of set: 26 parts: fl 1–2 (2=picc); ob 1–2; cl 1–2; bsn 1–2; hn 1–4; tpt 1–3; trb 1–3 (3=tuba[?]); timp/tr/castanets/tambourine; bd/cymb/rute; vn 1; vn 2; vla; vcl; db

Dimensions: not recorded

Watermark: not recorded

Printer: not recorded

Printing method: lithographic transfer from writing

Hofmeister: not listed

Edition number: n/a  Plate number: 2954

Copies: D-Mbs St.th. 1123-13

Select bibliography:

This part set is part of the original performance material used at the the Königl. Hof- und National-Theater, Munich for performances in 1888, and was probably ready by March. This material has not been examined: the description is based on the library catalogue record.

It appears that the work may have been performed in Munich with a relatively small string section (at most 8, 8, 4, 4, 4), and that the trombones and third trumpet may have been omitted in some performances.

This part set is part of the original performance material used at the the Königl. Hof- und National-Theater, Munich for performances in 1888, and was probably ready by March.

This material has not been examined: the description is based on the library catalogue record.

Title Page: [Black on cream paper, type A] DIE drei Pintos. / Komische Oper in drei Aufzügen / von / C. M. VON WEBER. / [rule] / Unter Zugrundelegung des gleichnamigen Textbuches von Th. Hell, / der hinterlassenen Entwürfe und ausgewählter Manuscripte des Componisten ausgeführt: / der dramatische Theil / von / C. VON WEBER, / der musikalische / von / G. MAHLER. / Klavier-Auszug mit Text M 8,-n. Partitur M [blank] Klavier-Auszug ohne Text M [blank] / [rule] / Alle Rechte vorbehalten. / Verlag von C.F. KAHNT NACHFOLGER, Leipzig. / Eigenthum für / [left:] Russland, / Mellin & Neldner, Riga. / [right:] Niederlande, / H. Rahr, Utrecht. // [centre:] Amerika / Edw. Schuberth & Cọ, New York. / F.W. Garbrecht’s Nchf. Oscar Brandstetter, Leipzig.

Wrapper: [as for title page: black on grey/green]

Analysis: [1]=tp; [2]=[Cast details of the première]; 3=Personen; 4=Inhalt; 5–16=Erster Aufzug...No. 1. Ensemble; 16–19=No. 2, Rondo a la Polacca; 20–22=No. 3. Terzettino; 22–24=No. 4. Romanze vom verliebten Kater Mansor; 24–30=No. 5. Seguidilla a dos; 31–51=No. 6. Terzett; 52–73=No. 7. Finale; 74–79=Entre-Akt; 80–104=Zweiter Aufzug, No. 8. Introduction und Ensemble; 105–106=No. 9. Ariette; 106–112=No. 10. Arie; 112–117=No. 11. Duett; 118–125=No. 12. Terzett. Finale; 126–131=Dritter Aufzug...No. 13. Lied mit Chor; 132–139=No. 14. Duett; 140–144=No.15. Terzettino (Canon); 145–150=No. 16. Arietta; 151–158=No. 17. Rondo-Terzett; 159–164=No. 18. Chor; 165–167=No. 19. Mädchenchor; 168–208=No. 20. Finale (A.); 209–223=No. 21. Finale (B.); [224]=blank.

Dimensions: 270 x 187 (r=169 [p.5])

Printing method: lithographic transfer from engraved plates

Hofmeister: April 1888    Price: Mk 8 n. 

Edition number: n/a  Plate number: 2951

Copies:  D-B O. 22664 (not seen); D-Mbs St.th. 1123-7 (six copies), St.th. 1123-8, St.th. 1123-9, St.th. 1123-10; St.th. 1123-11; GB-Lpc 2-9100001 (bound, lacks wrappers; cuts and changes of number order marked in blue pencil; signed: Annie Starke); US-Wc M1503.W363 D7 (with wrappers)

No. 2 (Rondo à la Polacca) is printed in C major: in PF it is in D major (see also PV1b and PTp2 below). There is evidence to suggest that the initial engraving was completed in some haste: the subsequent off-prints of individual numbers (see below) include additions to the music and sung text.

Hans von Bülow had received a copy by March 1888 and the arrangement was described as having just been published in a February issue of the Signale für das Musikalische Welt. The D-Mbs copies have not been examined: the details here are derived from the catalogue records. These copies were used at the the Königl. Hof- und National-Theater, Munich for performances in 1888:

St.th. 1123-7 were the copies used for the principals  (the copy for Don Gomez lacks pp. 209–223);

St.th. 1123-8 was used by the chorus repetiteur;

St.th. 1123-9 was the Regie-Clavier-Auszug, used by the director Carl Brulliot (annotated on p. 223: Eingerichtet im März 1888. von Carl Brulliot).

St.th. 1123-10 was used by the director, stage manager and prompt.

Title Page: [Black on cream paper:] DIE drei Pintos. / Komische Oper in drei Aufzügen / von / C. M. VON WEBER. / [rule] / Unter Zugrundelegung des gleichnamigen Textbuches von Th. Hell, / der hinterlassenen Entwürfe und ausgewählter Manuscripte des Componisten ausgeführt: / der dramatische Theil / von / C. VON WEBER, / der musikalische / von / G. MAHLER. / Klavier-Auszug mit Text M 8,-n. Partitur M [blank] Klavier-Auszug ohne Text M [blank] / [rule] / Alle Rechte vorbehalten. / Verlag von C.F. KAHNT NACHFOLGER, Leipzig. / Eigenthum für / [left:] Russland, / Mellin & Neldauer, Riga. / [right:] Niederlande, / H. Rahr, Utrecht. // [centre:] Amerika / Edw. Schuberth & Cọ, New York. / F.W. Garbrecht’s Nchf. Oscar Brandstetter, Leipzig.

Wrapper: none present in the copy described

Analysis: as for PV1

Dimensions: 273 x 190 (r=171 [p.5])

Printing method: lithographic transfer from engraved plates

Hofmeister: not listed   Price: Mk 8 n. 

Edition number: n/a  Plate number: 2951

Copies: GB-Lbl F.101.d (date stamp: 22 AUG [18]90)

This very curious publication has as the piano part the reduction for solo piano without text, PTp2, so the piano doubles the voice parts throughout. It was presumably issued after that arrangement (March 1889) and before 22 August 1890 (the date stamped on the GB-Lbl copy).

Title Page: [Black on cream paper:] DIE DREI PINTOS / Komische Oper in drei Aufzügen / von / C.M.VON WEBER / (Gustav Mahler) / Klavierauszug mit Text / M.8.-netto / [logo] / Eigentum des Verlegers für alle Länder / Alle Rechte, auch Aufführungsrecht, vorbehalten  / [rule] / C.F. KAHNT / Leipzig.

Wrapper: [Black on brown card:] DIE DREI PINTOS / Komische Oper in drei Aufzügen / von / C.M.VON WEBER / (Gustav Mahler) / Klavierauszug mit Text / M.8.-netto / [logo] / Eigentum des Verlegers für alle Länder / Alle Rechte, auch Aufführungsrecht, vorbehalten  / [rule] / C.F. KAHNT / Leipzig.

Analysis: as for PV1

Dimensions: 273 x 190 (r=171 [p.5])

Printing method: lithographic transfer from engraved plates

Hofmeister: not listed   Price: Mk 8 n. 

Edition number: n/a  Plate number: 2951

Copies: GB-Lpc 2-9200216

The adverts on the back wrapper suggest that this impression probably dates from 1921 or later (the collection Lieder der Heimat edited by Arnold Krug was announced in the January 1921 issue of Hofmeister).

Below the price on the front wrapper, rubber-stamped in black: Preis ungültig! / C. F. Kahnt / Leipzig. On the title page the price has been deleted and replaced in pencil with 10.–.

The same footnote has been added to No. 2 (Rondo à la Polacca) and No. 15 Terzettino. (Canon): Diese Nummer steht in der Orchester-Partitur einen Ton höher. In addition, No. 4 Romanze von dem verliebten Kater Mansor is supplied with a tempo marking: Andante (see also PV41: the marking was omitted from PF and PV1 and is not included in the scholarly edition).

Title Page: Die drei Pintos / [rule] / Komische Oper in drei Aufzügen / von / C.M.von Weber. / [rule] / Unter Zugrundlegung des / gleichnamigen Textbuches von Th. Hell, der hinterlassenen Ent= / würfe und ausgewählter Manuscripte des Componisten ausgeführt: / der dramatische Theil / von / Carl von Weber, / der musicalische / von / Gustav Mahler. / [rule] / Leipzig / 1888.

Wrappers: not recorded

Analysis: [i]=tp; [ii]=notes; [iii]=Personen; [iv]=blank; 1–71=text; [72]=blank.

Dimensions: not recorded

Printing method: letterpress

Edition number:  n/a   Plate number: n/a

Copies: A-Wigmg; D-B Tw 230/1; D-Mbs St.th. 1123-14, St.th. 1123-15, St.th. 1123-16

This edition, which on [ii] describes itself as ‘Als Manuscripte gedruckte’, contains the complete text (sung and spoken) and were presumably intended for use by theatre staff. The D-Mbs copies were used at the the Königl. Hof- und National-Theater, Munich for performances in 1888. St.th. 1123-14 was the director's copy with production notes on interleaved pages, and the annotation Eingerichtet im März 1888 von Carl Brulliot; St.th. 1123-15 was a prompt copy. None of the copies have been examined, and the descriptions are derived from the catalogue record.

Title Page: [See facsimile] Die drei Pintos / [rule] / Komische Oper in drei Aufzügen / von / C.M.von Weber. / [rule] / Unter Zugrundlegung des / gleichnamigen Textbuches von Th. Hell, der hinterlassenen Ent= / würfe und ausgewählter Manuscripte des Componisten ausgeführt: / der dramatische Theil / von / Carl von Weber, / der musicalische / von / Gustav Mahler. / Preis 50pf / [rule] / Leipzig. / Verlag von C.F. Kahnt Nachfolger. / 1888.

Wrappers: not recorded

Analysis: [1]=tp; [2]=Personen; [3]–53=text; [54]–[56]=adverts.

Dimensions: 185 x 120

Printing method: letterpress

Edition number:  n/a   Plate number: n/a

Copies: A-Wigmg; D-B Tw 230 (ex coll. Wilhelm Tappert); D-Mbs (2 copies) Slg.Her 4293, L.eleg.m. 1140 s;

This edition contains only the sung text – all the dialogue is omitted – and was presumably intended for sale to the public. The D-B copy (ex. coll. Wilhelm Tappert) has an orange sheet advertising various publications of Die drei Pintos and other items from the Kahnt catalogue tipped in after [2].

A complete colour facsimile is available on the D-Mbs website.

Title Page: [See facsimile] Die drei Pintos / [rule] / Komische Oper in drei Aufzügen / von / C.M.von Weber. / [rule] / Unter Zugrundlegung des / gleichnamigen Textbuches von Th. Hell, der hinterlassenen Ent= / würfe und ausgewählter Manuscripte des Componisten ausgeführt: / der dramatische Theil / von / Carl von Weber, / der musicalische / von / Gustav Mahler. / Preis 50pf / [rule] / Leipzig. / Verlag von C.F. Kahnt Nachfolger. / 1888.

Wrappers: not recorded

Analysis: [1]=tp; [2]=Personen; [3]–53=text; [54]–[56]=adverts.

Dimensions: 191 x 133

Printing method: letterpress

Edition number:  n/a   Plate number: n/a

Copies:

Title Page: [Black on cream paper, type Aa:] Die / drei Pintos / Komische Oper in drei Aufzügen / von / C.M.von Weber. / [rule] / Unter Zugrundlegung des / gleichnamigen Textbuches von Th. Hell, / der hinterlassenen Entwürfe und ausgewählter Manuscripte des Componisten ausgeführt: / der dramatische Theil / von / C. von Weber, / der musicalische / von / G. Mahler. / Klavier-Auszug mit Text M 8,_.n. Partitur M [blank]  Klavier-Auszug ohne Text M. 6,_.n. / [rule] / Alle Rechte vorbehalten. / Verlag von C.F. KAHNT NACHFOLGER, Leipzig. / Eigenthum für / [left:] Russland, / Mellin & Neldauer, Riga. / [right:] Niederlande, / H. Rahr, Utrecht. // Amerika, / Edw. Schuberth & Cọ, New York.

Wrappers: [fwr, black on yellow card:] as for the title page; [fwv, bw: blank]

Analysis: [1]=tp; 2=Inhalt.; 5–9=Erster Aufzug...No. 1. Ensemble; 10–19=No. 2, Rondo a la Polacca; 13=No. 3. Terzettino; 14–15=No. 4. Romanze vom verliebten Kater Mansor; 16–19=No. 5. Seguidilla a dos; 20–31=No. 6. Terzett; 52–43=No. 7. Finale.; 44–49=Entr'-Akt.; 50–60=Zweiter Aufzug. No. 8. Introduction und Ensemble; 61=No. 9. Ariette; 62–66=No. 10. Arie; 67–70=No. 11. Duett; 71–74=No. 12. Terzett. Finale.; 75–77=Dritter Aufzug...No. 13. Lied mit Chor; 78–82=No. 14. Duett; 83–85=No.15. Terzettino. Canon.; 86–89=No. 16. Arietta.; 90–94=No. 17. Rondo-Terzett.; 95–97=No. 18. Chor.; 97–98=No. 19. Mädchenchor; 99–109=No. 20. Finale (A.); 110–114=No. 21. Finale (B.)

Dimensions: 281 x 193 (r=181)

Printing method: lithographed from engraved plates

Edition number:  n/a   Plate number: 3042

Copies: GB-Lpc (signed and dated in ink on fwr: M v. Miklosich / 9 IV 1889; rubber stamped on fwr and tp:  MORIZ R v. MIKLOSICH / WIEN / VIII. Josefstädterstrasse 11¹) 

The plate number suggests that this arrangement was probably published in early  1889, certainly before April 1889 when the copy described was acquired by its first owner.

No. 2 (Rondo à la Polacca) is printed in C major with the footnote 'Original in D.' on p. 10: in PF it is in D major.

INDIVIDUAL NUMBERS – No. 2 Rondo à la Polacca

PRINTED ARRANGEMENT FOR VOICE AND PIANO

Title Page: not recorded

Wrapper: none present

Analysis: [1]=tp; 2–5=music; [6]=blank

Dimensions: 338 x 270 (r=not recorded)

Hofmeister: April 1888

Edition number: none  Plate number: 2951

This first impression probably used title page C. The music is surrounded by a double-line decorative rectangular border.

INDIVIDUAL NUMBERS – No. 4 Romanze vom verliebten Kater Mansor

PV41

PRINTED ARRANGEMENT FOR VOICE AND PIANO

FIRST EDITION – Leipzig, C.F. Kahnt Nachfolger, 1888

Title Page: [passepartout title page C:] ...No. 4. Romanze vom verliebten Kater Mansor. Leise weht' es, leise wallte. Sopran...[Pr. M.]_,60...

Wrapper: none present

Analysis: [1]=tp; [2]=blank; 3–5=music; [6]=advertisement

Dimensions: 339 x 270 (r=191)

Watermark: none

Printer: F.W. Garbrecht’s Nchf. Oscar Brandstetter, Leipzig.

Printing method: lithographic transfer from engraved plates

Hofmeister: April 1888

Edition number: none  Plate number: none

The music text is enclosed within a double-line decorative rectangular border. The printed text was derived from the original plates of the complete vocal score (PV1), but with a new casting off, a re-spacing of the systems and the inclusion of revisions and corrections in both music and text. These include the addition of an initial tempo marking lacking in PF and PV1: Andante (not included in the scholarly edition).

INDIVIDUAL NUMBERS – No. 9 Arietta. Höchste Lust ist treues Lieben

PRINTED ARRANGEMENT FOR VOICE AND PIANO

Title Page: [passepartout title page C: ...No. 9. Ariette. Höchst Lust ist treues Lieben...[Pr. M.]_,50...]

Wrapper: none present

Analysis: [1]=tp; 2–3=music; [4]=blank

Dimensions: 338 x 270 (r=not recorded)

Hofmeister: April 1888

Edition number: none  Plate number: 2951

This first impression probably used title page C. The music is surrounded by a double-line decorative rectangular border.

PRINTED ARRANGEMENT FOR PIANO, 2 HANDS

Title Page: [brown on cream:] Eulenburg's / Musikalischer / Haus- und Familienkalendar / [in shield:] 1889. / Herausgegeben / von / Franz Huldschinsky. / Mit Beiträgen / von / Heinrich Erlich, Rudolf von Gottschall, Ludwig Hartmann, / Dr. Adolf Kohut, Martin Krause, August Lesimple, Alexander / Moszkowski, E. Pasqué, Ad. Ruthardt, Paul von Schönthau, / Gust. Schwarzkopf, Heinrich Hoffmann, Th. Koschat, Ch. Lecocq, / Carl Reinecke, Xavier Scharwenka, Hans Sitt, / Arthur Sullivan. / [rule] / Leipzig. / Verlag von Ernst Eulenburg. / [r.h.] C. G. Röder, Leipzig.

Boards: [Front board:]

Fig. 1

Eulenburg's Musikalischer Haus- und Familienkalendar 1889

[rear board is blank]

Analysis: [i–ii]=flyleaf; [iii]=title page; [iv]=copyright note; [1]=contents; [2]=blank; 3–14=calendar; 15–40=stories; 41–64=music; 65–95=essays and reports; 96–98=music; [99–112]=reports

Dimensions: 246 x 196 (r=175 [p. 48])

Watermark: none

Printer: C. G. Röder, Leipzig. [tp]

Printing method: letterpress; lithographic transfer from engraved plates

Hofmeister: July 1888; November 1888

Edition number: none  Plate number: none

Kahnt licensed the publication of this arrangement for inclusion in Eulenburg's musikalischer Haus- u. Familienkalender für 1889, where it appeared on pp. 48–9. It is an extract from Hans Walter's Klänge, a selection of arrangements of numbers from the opera (see PTSp23):

Fig. 2

Eulenburg's Musikalischer Haus- und Familienkalendar 1889, p. 48

INDIVIDUAL NUMBERS – No. 10 Arie der Clarissa

PRINTED ARRANGEMENT FOR VOICE AND PIANO

PV101

FIRST EDITION – Leipzig, C.F. Kahnt Nachfolger, 1888

Title Page: [passepartout title page C:] ...No. 10. Arie der Clarissa. Ach wenn das Du doch vermöchst...[Pr. M.]1, _...

Wrapper: none present

Analysis: [1]=tp; 2–7=music; [8]=advertisement

Dimensions: 339 x 270 (r=218)

Watermark: none

Printer: F.W. Garbrecht’s Nchf. Oscar Brandstetter, Leipzig. [tp]

Printing method: lithographic transfer from engraved plates

Hofmeister: April 1888

Edition number: none  Plate number: none

The music text is enclosed within a double decorative rectangular border. The printed text was derived from the original plates of the complete vocal score (PV1), but with a new casting off, a re-spacing of the systems and the inclusion of revisions and corrections, mainly in the punctuation of the text.

INDIVIDUAL NUMBERS – No. 15 Terzettino. Mädchen ich leide heisse Liebespein

PRINTED ARRANGEMENT FOR THREE VOICES AND PIANO

PV151

FIRST EDITION  – Leipzig, C.F. Kahnt, 1888

Title Page: [passepartout title page D:] ...No. 15. Terzettino. (Canon). Mädchen ich leide heisse Liebespein...[Pr. M.]1, _...

Wrapper: none present

Analysis: [1]=tp; [2]=blank; 3–7=music; [8]=blank

Dimensions: 334 x 271 (r=214)

Watermark: none

Printer: F.W. Garbrecht’s Nchf. Oscar Brandstetter, Leipzig. [tp]

Printing method: lithographic transfer from engraved plates

Hofmeister: not listed

Edition number: none  Plate number: 2951

The music text is enclosed within a double-line decorative rectangular border. The printed text was derived from the original plates of the complete vocal score (PV1), with few changes, mainly in the punctuation of the text.

Footnote on p. 3: 'Diese Nummer steht in der Orchester-Partitur einen Ton höher.' [i.e. the full score is G major not F major].

This number was apparently published after Nos 2, 4, 9, 10 and 16, probably by November 1888: it is not listed on title page type C, but appears below No. 16 on title page types Cb and D.

INDIVIDUAL NUMBERS – No. 16 Arietta. Ein Mädchen verloren, was macht man sich draus

PRINTED ARRANGEMENT FOR VOICE AND PIANO

Hofmeister: April 1888

This first impression probably used title page C.

PV162

FIRST EDITION, LATER ISSUE – Leipzig, C.F. Kahnt, [c. 1917/18]

Title Page: [passepartout title page Cb:] ...No. 16. Ariette. Ein Mädchen verloren, was macht man sich draus...[Pr. M.]1, _...

Wrapper: none present

Analysis: [1]=tp; 2–7=music; [8]=advertisement, a variant of Kahnt advert Ba (see the notes below)

Dimensions: 340 x 270 (r=221)

Watermark: none

Printer: Stich u. Druck v. Oscar Brandstetter, Leipzig. [p. 7]

Printing method: lithographic transfer from engraved plates

Edition number: none  Plate number: 2951

The music text is enclosed within a single-line rectangular border. The printed text was derived from the original plates of the complete vocal score (PV1), with few changes, mainly in the punctuation of the text.

The advert on p. [8] is a variant of type Ba used for some issues of the Mahler songs published by Kahnt: the prices on the Drei Pintos off-print are slightly higher.

INDIVIDUAL NUMBERS – Zwischenaktmusik

PRINTED FULL SCORES

Title Page: none present. Heading on p. 1: Die drei Pintos. / Komische Oper in 3 Aufzügen. / Zwischenaktmusik

Wrapper: none present

Analysis: 1–16=music

Dimensions: 334 x 266 (r=245)

Printing method: Lithographic transfer from writing

Hofmeister: November 1888

Edition number: none  Plate number: 7837

The GB-Lbl copy has been marked up for performance and partially re-orchestrated in pencil, red pencil and red ink (the latter rather neater and often overwriting annotations in lead or red pencil). The use of watermarked paper may indicate a late issue.

PRINTED ORCHESTRAL PARTS

POE

FIRST EDITION – Leipzig: C.F. Kahnt Nachforlger, [1917]

Make-up of set: 24 parts: fl 1–2; ob 1–2; cl in B 1–2; bsn 1–2; hn 1–4; tpt in F 1–2; trb 1–3 (3=tuba); timp; tr; vn 1; vn 2; vla; vcl; db

Dimensions: not recorded

Watermark: not recorded

Printer: not recorded

Printing method: lithographic transfer from writing

Hofmeister: not listed

Edition number: n/a  Plate number: none

Copies: US-NYph 571 [lacks Pos 1–2] (an unused set)

PRINTED ARRANGEMENT FOR MILITARY BAND

Hofmeister: November 1888

The make-up of the performing material is not specified in the Hofmeister entry, but it may not have included a full score.

PRINTED ARRANGEMENT FOR SALON ORCHESTRA

Hofmeister: November 1925

The make-up of the performing material is not specified in the Hofmeister entry, but it may not have included a full score. The arrangement was by M. Uhl.

SELECTIONS

PRINTED SELECTIONS FOR PIANO, 2 HANDS

Title: [Black on cream paper = type C:] ...Melodieenstrauss I. für Pianoforte zu zwei Händen. (leicht)...[Pr. M.] 1,50...

Wrapper: none present

Analysis: [1]=tp; 2–15=music (see contents); [16]=adverts

Contents: [No. 13] Schmücket die Halle – [No. 16] (Ambrosio) La, la, la, la – [No. 4] (Inez) Kater Mansor – [No. 15] Canon – [No. 9] Höchst ist treues Lieben – [No. 16] (Ambrosio) Ein Mädchen verloren – [No. 20] 1. Finale des III Actes.

Dimensions: 340 x 270 (r=not recorded)

Printing method: Lithographic transfer from engraved plates

Hofmeister: April 1888

Edition number: none  Plate number: 2975

Listed in Hofmeister as 'Potpourri f. Pfte nach motiven der Oper „Die drei Pintos“... No. 1, 2'; on the title pages of other publications of music from the opera, the title is given as above; no arranger is identified.

Title: [Black on cream paper = type C:] ...Melodieenstrauss II. für Pianoforte zu zwei Händen. [(leicht)]...[Pr. M.] 1,50...

Wrapper: none present

Analysis: [1]=tp; 2–19=music (see contents); [20]=advert

Contents: [No. 12] Terzett Geschwind nur von hier hinein – [No. 7] Aus dem Terzett „Bravo, bravo...‟ – [No. 10] Arie der Clarissa – [No. 3] Terzettino – [No. 17] Rondo – Terzett – [No. 7] Schlusschor des I. Actes – [No. 21] Finale des III Actes.

Dimensions: 340 x 270 (r=not recorded)

Printing method: Lithographic transfer from engraved plates

Hofmeister: April 1888

Edition number: none  Plate number: 2976

Listed in Hofmeister as 'Potpourri f. Pfte nach motiven der Oper „Die drei Pintos“... No. 1, 2'; on the title pages of other publications of music from the opera, the title is given as above; no arranger is identified.

Title page: [blue on cream paper = type E:] Klänge / aus der komischen Oper / Die drei Pintos / von / C.M. v. Weber. / [rule] / für Pianoforte zu zwei Händen / arrangiert von / Hans Walter. / Preis M. 1,50. / [rule] / Eigenthum des Verlegers für alle Länder. / Leipzig, C.F. Kahnt Nachfolger. / Ferner sind folgende Arrangements erschienen: / ... / Lith Anst. v. W. Benicke, Leipzig.

Wrapper: none present

Analysis: [1]=tp; 2–13=music (see contents); [24]=adverts

Contents: [No. 2] Rondo à la Polacca – [No. 4] Romanze von verliebten Kater Mansor – [No. 10] Arie der Clarissa – [No. 16] Ein Mädchen verloren – [No. 18] Chor: Habt ihr es schon vernommen – [15] Canon – [9] Höchst ist treues Lieben – [No. 7] Was wir lieben – Schlusschor des 1. Actes.

Dimensions: 338 x 270 (r=not recorded)

Printing method: Lithographic transfer from engraved plates

Hofmeister: November 1888

Edition number: n/a  Plate number: 2986

It is worth noting that this publication was not printed by Brandstetter.

PRINTED SELECTIONS FOR PIANO, 4 HANDS

Title page: [Black on cream paper = type C:] ...Melodieenstrauss III. für Pianoforte zu vier Händen. [(leicht)]...[Pr. M.] 2,_...

Wrapper: none present

Analysis: [1]=tp; 2–23=music (see contents); [24]=adverts

Contents: [No. 13] Schmücket die Halle – [No. 16] (Ambrosio) La, la, la, la – [No. 4] (Inez) Kater Mansor – [No. 15] Canon – [No. 9] Höchst ist treues Lieben – [No. 16] (Ambrosio) Ein Mädchen verloren – [No. 20] 1. Finale des III Actes.

Dimensions: 340 x 270 (r=not recorded)

Printing method: Lithographic transfer from engraved plates

Hofmeister: April 1888

Edition number: none  Plate number: 2977

Listed in Hofmeister as 'Potpourri f. Pfte zu 4 Hdn nach motiven der Oper „Die drei Pintos“; on the title pages of other publications of music from the opera, the title is given as above; no arranger is identified.

Title Page: [Black on cream paper = type D:] ...Beliebte Stücke, für Violine u. Pianoforte arr. v. Prof. Friedrich Hermann ... [Pr. M.] 2,_... [with Aufführungsrecht vorbehalten rubber stamped over the publisher's imprint]

Wrappers: not recorded

Analysis:

Score, Heft I: [1]=tp; [2]=blank; 3–4=No. 1. Kater Mansor; 5–9=No. 2 Rondo; 10–17=No. 3. Canon-Ariette-Duet, [18]=adverts

Score, Heft II: [1]=tp; [2]=blank; 3–6=No. 4. Seguidilla; 7–14=No. 5. Terzett; 15–17=No. 6. Finale des ersten Acts, zweite Hälfte; [18]=adverts

Score, Heft III: [1]=tp; 2–10=No. 7. Motive aus dem Zweiten Act; 11–15=No. 8. Finale des ersten Acts, erste Hälfte; [16]=adverts

Violin part, Heft I: [1]=No. 1. Kater Mansor; 2–3=No. 2 Rondo; 4–5=No. 3. Canon-Ariette-Duet, [6]=blank

Violin part, Heft II: [1]=blank; 2–5=No. 4. Seguidilla; 6=No. 6. Finale des ersten Acts, zweite Hälfte; 7–14=No. 5. Terzett;

Violin part, Heft III: 1–3=No. 7. Motive aus dem Zweiten Act; 4–5=No. 8. Finale des ersten Acts, erste Hälfte; [6]=blank

Dimensions: 338 x 270 (r=not recorded)

Printing method: lithographed from engraved plates

Edition number:  n/a   Plate number: vol. I: 2983; vol. II: 2984; vol. III: 2985

Copies: D-B 49052,1(–2)

PRINTED SELECTIONS FOR MILITARY BAND

Hofmeister: November 1888

Listed as 'Melodienstrauss für Militärmusik'; no arranger is identified and the make-up of the performing material is not recorded in the Hofmeister entry, but it may not have included a full score.